Books with title Olivia and the Haunted Hotel

Help Dink, Josh, and Ruth Rose solve mysteries from A to Z in this chapter book that's perfect for Halloween! Kids love collecting the entire alphabet and super editions! With over 8 million copies in print, the A to Z Mysteries® have been hooking chapter book readers on mysteries and reading for years. Now this classic kid favorite is back with a bright new look! H is for Haunted . . . There’s a ghost in Green Lawn! Strange sounds and even stranger sights are terrifying guests at the Shangri-la Hotel. More and more people are being scared away. Will Green Lawn turn into a ghost town? Or can Dink, Josh, and Ruth Rose stop this spook?

Olivia and her friends decide to play “hotel” in this story. Ian keeps insisting that the hotel is haunted, and everyone knows he's joking...but what if he's not? What if the hotel really is haunted? This funny, sweetly spooky story is based on an episode and sure to bring on chills and howls of laughter!Olivia and her friends decide to play “hotel” in this story. Ian keeps insisting that the hotel is haunted, and everyone knows he's joking...but what if he's not? What if the hotel really is haunted? This funny, sweetly spooky story is based on an episode and sure to bring on chills and howls of laughter!

The mysterious death of an English lord in Venice haunts the living in this nineteenth-century gothic novel by the author of The Woman in White.Agnes Lockwood was devastated when her fiancé, Lord Montbarry, broke off their engagement to marry Countess Narona. But she was even more devastated to learn of Montbarry’s death in Venice not long thereafter. A rundown palazzo would not only be the last stop on the newlyweds’ continental tour, but also the lord’s final resting place. Though it was confirmed that Montbarry died of natural causes, the life insurance policy favoring the countess certainly raised suspicion. And what of their servant who mysteriously disappeared? Years later, the palazzo has been remodeled into a fashionable hotel. But when Agnes and Montbarry’s brother Henry Westwick arrange to stay there, the grim history of the place makes itself known in a series of hauntings. As these occurrences lead to revelations, Agnes and Henry wonder if they are being haunted by a ghost—or a crime.

Olivia and her friends decide to play “hotel” in this story. Ian keeps insisting that the hotel is haunted, and everyone knows he's joking...but what if he's not? What if the hotel really is haunted? This funny, sweetly spooky story is based on an episode and sure to bring on chills and howls of laughter!Olivia and her friends decide to play “hotel” in this story. Ian keeps insisting that the hotel is haunted, and everyone knows he's joking...but what if he's not? What if the hotel really is haunted? This funny, sweetly spooky story is based on an episode and sure to bring on chills and howls of laughter!

Wilke Collins was the author of two of the greatest mysteries ever written, The Moonstone and The Woman in White. However, like Poe before him and Conan Doyle after, he shifted easily from rational domains to the 'superrational'. Like them, he often preferred to indulge his occult predilection, a lifelong indulgence. His last lucid effort in this area (before ill health and opium drained his powers) was this short novel, written in 1878. In it, he artfully combines elements of both the detective story and the supernatural.

Is there no explanation of the mystery of The Haunted Hotel? Is The Haunted Hotel the tale of a haunting -- or the tale of a crime? The ghost of Lord Montberry haunts the Palace Hotel in Venice --- or does it? Montberry's beautiful-yet-terrifying wife, the Countess Narona, and her erstwhile brother are the center of the terror that fills the Palace Hotel. Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

Shortly after breaking off his engagement to Agnes Lockwood in order to marry the Countess Narona, Lord Montbarry dies of bronchitis. A dilapidated Venetian palace, in which the two had settled following a tour of the continent, is renovated into a fashionable hotel. The ghost of Montbarry soon begins to haunt the hotel arising suspicion that his death may not have been entirely the result of natural causes. One of Wilkie Collin’s shorter novels, “The Haunted Hotel” is a chilling Victorian ghost story.

On a dark and rainy afternoon after school, Olivia and her friends decide to play "hotel". Olivia's brother, Ian, keeps insisting that the hotel is haunted. Everyone else thinks he's joking, but when things take a spooky turn, and strange noises can be heard all around, Olivia and her friends start to wonder whether a mysterious ghost really is haunting Hotel Olivia! Based on a special Halloween episode, this funny, spooky story is sure to bring on chills and howls of laughter!

“In this story, as the chief character is internally melodramatic, the story itself ceases to be merely melodramatic, and partakes of true drama.” — T. S. Eliot.Like Poe before him and Conan Doyle after, Wilkie Collins shifted easily from rational domains to the “superrational.” Like them, he is famed for original contributions to “ratiocinative” (detective) literature, but often preferred to indulge his occult predilection — a lifelong indulgence. His first published story, “The Last Stage Coachmen” (1843), was a supernatural allegory of trains; perhaps his last lucid effort (before ill health and opium drained his powers) was this short novel, The Haunted Hotel.Collins’ methods and themes, developed and elaborated in his earlier, massive novels, are streamlined and concentrated here into a tight novelette. The same relentless pace and narrative power, the same attention to plot and backdrop detail that distinguish The Moonstone and The Woman in White are evident here, as is the obsession with destiny and the willful struggle against it.Collins’ much-loved Venice provides the scenery and fatal beauty, the grim waterways and palaces the author will haunt with mysterious women, grotesques, and bloody conspiracies. The Countess Narona is one of Collins’ cosmopolitan enchantresses; she acts, but as the tool of her doom. T. S. Eliot wrote, “The principal character, the fatal woman, is herself obsessed by the idea of fatality; her motives are melodramatic; she therefore compels the coincidences to occur, feeling that she is compelled to compel them.” Collins relieves the tension with some wry characterizations and ironies; the theatrics are sustained. Indeed, theatrical motifs figure heavily, Collins himself being much involved with the stage at that period.The Haunted Hotel appears to be loosely based on a case from the annals of French crime; the scene, scenery, players and conflicts, and especially the horror, come straight from Collins’ overstimulated, no doubt overwrought, most certainly haunted imagination.